Photos: Adan Carlo
“Pinegrove was always an inquiry about love and how to love better, and I think that it’s pretty important that we’re asking these questions right now.” Pinegrove frontman Evan Stephens Hall is talking about life after the election. It’s early morning in Montclair – the New Jersey township in which Hall resides and after a year of touring the band’s debut LP Cardinal across America and Europe, the 27-year-old sounds reflective.
“I think these are the things that need the most focus right now, because things feel really complicated and huge, and they are, but they should not obscure these really important tenets of humanism,” he continues. “We need to try and be our best selves, which means loving ourselves as well as we can and being the best partner for the people that we know and the people that we don’t know; that means trying to love them as well as we can too.”
“We need to try and be our best selves, which means loving ourselves as well as we can”
Pinegrove have the tendency to invest a nostalgic introspection through their songwriting that creates a proleptic impulse, allowing us to see ourselves between the lines. Through candid lyricism, Hall creates a universal, empathetic discourse that at a time of fear and uncertainty, makes Pinegrove one of the most important bands around. “These were already the things that I wanted to write about but it just turns out that people need them even more now,” he laments.
Hall is a passionate reader – “mostly fiction and lots of newspaper articles” – and he regularly quotes authors throughout our chat. “The writer Martha Nussbaum talks about how reading fiction is important because it helps us strengthen empathy or it helps us practise empathy,” he continues.
“If you’re reading from someone else’s perspective and it’s really persuasive and you identify with it then you are more likely to understand where they’re coming from and you’re more likely to love them for who they are. And then you may contain a part of them as well. So basically, all of this comes down to wanting to understand each other but sometimes it’s just, the story isn’t told right, or someone’s not ready to hear it.”
Pinegrove is the product of years of playing basement shows and DIY spaces, with Hall enthusing about Montclair’s non-profit, student-run organisation, Serendipity Cafe. But, like a lot of creative spaces throughout the United States, it was recently faced with being thrown out of its meeting space. After the tragedy of December’s Oakland fire, the shutting down of these ever-important locations seems to be spreading.
“I think the thing that was happening with Serendipity is exactly the way it happens, which is incrementally and quietly,” Hall says. “Something that’s being attacked in America right now is our right to assemble and our right to speak critically of people in power. I think they recognise that these creatively-fertile spaces are deeply threatening to the establishment, because these are smart, passionate people who are assembling and I believe that they’re the kernels of the revolution.”
“Something that’s being attacked in America right now is our right to assemble and our right to speak critically of people in power”